Dancing on the Fault Lines of History
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Dancing on the Fault Lines of History
Selected Essays
Manning, Susan
The University of Michigan Press
01/2025
336
Dura
9780472074372
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Acknowledgments
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde Taenze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde Taenze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
modern dance;Ausdruckstanz;Tanztheater;dance studies;Black dance;Butoh;Mary Wigman;Isadora Duncan;Helen Tamiris;Katherine Dunham;Reggie Wilson;Nelisiwe Xaba;Martha Graham;Ted Shawn;Jose Limon;Pina Bausch;Hanya Holm;Zohra Segal;Fred Coolemans;Raden Mas Jodjana
Acknowledgments
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde Taenze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde Taenze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
