Dancing on the Fault Lines of History
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Dancing on the Fault Lines of History
Selected Essays
Manning, Susan
The University of Michigan Press
01/2025
336
Mole
9780472054374
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Acknowledgments
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde TAEnze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde TAEnze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
modern dance; Ausdruckstanz; Tanztheater; dance studies; Black dance; Butoh; Mary Wigman; Isadora Duncan; Helen Tamiris; Katherine Dunham; Reggie Wilson; Nelisiwe Xaba; Martha Graham; Ted Shawn; José Limón; Pina Bausch; Hanya Holm; Zohra Segal; Fred Coolemans; Raden Mas Jodjana
Acknowledgments
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde TAEnze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Foreword
I. Writing and Rewriting Modern Dance History
II. Keywords: Gender and Sexuality
1. The Female Dancer and the Male Gaze
2. Looking from a Different Place
3. Choreographing the Classics, Performing Sexual Dissidence
4. Archives in Collision: Excursus on Method
III. Keywords: Whiteness and Blackness
5. Black Voices, White Bodies: Tamiris' How Long, Brethren?
6. Watching Dunham's Dances 1937-1945
7. Reggie Wilson and the Making of Moses(es)
8. Cross-Viewing in Berlin and Chicago: Nelisiwe Xaba's Fremde TAEnze
IV. Keywords: Nationality and Globalization
9. An American Perspective on Tanztheater
10. Ausdruckstanz across the Atlantic
11. Nation and World in Modern Dance
12. Mary Wigman and Asia: Between Cultural Appropriation and Transnational Encounter
Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
