Lines Between the Lines
-15%
portes grátis
Lines Between the Lines
How Stage Directions Affect Embodiment
Rowen, Bess
The University of Michigan Press
10/2021
272
Dura
Inglês
9780472074365
15 a 20 dias
333
Descrição não disponível.
Acknowledgments
Introduction
Chapter 1: 'Ogun Goes Back Under the Car': Spoken Stage Directions
Chapter 2: 'The Bird I Hope to Catch in the Net of This Play': Affective Stage Directions
Chapter 3: 'They Dance. Except It's Not Really Like Gandhi': Choreographic Stage Directions
Chapter 4: 'And, Perhaps, the Hairy Ape at Last Belongs': Multivalent Stage Directions
Chapter 5: 'A Man Named Newburn Comes Out of the Faucet Which Has Been Left Running': Impossible Stage Directions
Conclusion
Works Cited and Selected Bibliography
Introduction
Chapter 1: 'Ogun Goes Back Under the Car': Spoken Stage Directions
Chapter 2: 'The Bird I Hope to Catch in the Net of This Play': Affective Stage Directions
Chapter 3: 'They Dance. Except It's Not Really Like Gandhi': Choreographic Stage Directions
Chapter 4: 'And, Perhaps, the Hairy Ape at Last Belongs': Multivalent Stage Directions
Chapter 5: 'A Man Named Newburn Comes Out of the Faucet Which Has Been Left Running': Impossible Stage Directions
Conclusion
Works Cited and Selected Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
stage directions; affective stage directions; affect; American playwrights; contemporary playwriting; acting; directing; design; Eugene O'Neill
Acknowledgments
Introduction
Chapter 1: 'Ogun Goes Back Under the Car': Spoken Stage Directions
Chapter 2: 'The Bird I Hope to Catch in the Net of This Play': Affective Stage Directions
Chapter 3: 'They Dance. Except It's Not Really Like Gandhi': Choreographic Stage Directions
Chapter 4: 'And, Perhaps, the Hairy Ape at Last Belongs': Multivalent Stage Directions
Chapter 5: 'A Man Named Newburn Comes Out of the Faucet Which Has Been Left Running': Impossible Stage Directions
Conclusion
Works Cited and Selected Bibliography
Introduction
Chapter 1: 'Ogun Goes Back Under the Car': Spoken Stage Directions
Chapter 2: 'The Bird I Hope to Catch in the Net of This Play': Affective Stage Directions
Chapter 3: 'They Dance. Except It's Not Really Like Gandhi': Choreographic Stage Directions
Chapter 4: 'And, Perhaps, the Hairy Ape at Last Belongs': Multivalent Stage Directions
Chapter 5: 'A Man Named Newburn Comes Out of the Faucet Which Has Been Left Running': Impossible Stage Directions
Conclusion
Works Cited and Selected Bibliography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.