Incarceration Games

Figures
Note on Sources
Preface: Wanting to See.
Part One: The Stage Production Era

Setting the Scene: Role-Playing and its Discontents
From Sing Sing to Psychodrama: J.L. Moreno and the Invention of Spontaneity
The Trouble with Normal: Sherif, Asch, and the Theatre of Insecurity
The Performance of Compliance: Prisoner Coercion and Dissonant Cognition
From Teacher to Torturer: Playing Obedient for Stanley Milgram

Part Two: Approaching Stanford

Good Cop / Bad Cop: Interrogation, Confession, and Philip Zimbardo
Things Fall Apart: Experimenting with Urban Crime
Theatre of Cruelty: Designing and Implementing the Stanford Prison Experiment
The Role of the Prisoner: Learned Helplessness and Earned Resilience
The Role of the Guard: Dark Play and Dirty Work

Part Three: Beyond the Lab

The Medium is the Message: Stanford Stories and the San Quentin Six
Lifting the Mask: The Prisoner, the Self, and Geese Theatre
Attack of the Clones: Ethics, Entertainment, and Re-enactment
Mission Drift: Role-Playing Torture in the War on Terror
Consenting Adults: Toward an Alternative Paradigm

Acknowledgements and List of interviewees
Bibliography

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Estudos teatrais
• Crime e criminologia
• Psicologia social, de grupo ou colectiva
• História social e cultural

role-playing; experiential learning; improvisation; simulation; performance art; social psychology; prisons; prison arts; interrogation; rehabilitation; group dynamics; psychodrama; cognitive dissonance; deindividuation; Stanford Prison Experiment; Philip Zimbardo; Stanley Milgram; J.L. Moreno; Muzafer Sherif; Geese Theatre; Blast Theory; Abu Ghraib; Guantanamo Bay; Broken Windows; San Quentin Six; 911; enhanced interrogation; obedience experiments; pop psychology; carceral system